Category Archives: New York City

Print Month!

I know, isn’t every month Print Month?   ( I remember, as a child,  asking my Mum,  Why isn’t there a Kids’ Day, like Mother’s Day and Father’s Day?  Of course she said, Every day is Kids’ Day.)

For The Art Caravan and many art afficiandos, original, hand made, fine art prints are irresistible.  Once you get some familiarity with the world of printmakers, print studios and print shops, it’s easy to become a fan, and collector.

Each October, the International Fine Print Dealers Association (IFPDA) hosts a Print Week in New York City.   This year, Print Week has become a very accessible  Print Month of (not surprisingly) online programming and exhibitions.

Last year, The Art Caravan happily traveled to NYC to meet friends, and celebrate Print Week.  The main event was held at the Jacob K. Jarvits Center.  To say we were thrilled to attend is an understatement.  I felt like I was on a pilgrimage.

Javits Center NYC, T. Vatrt image

Javits Center NYC, T. Vatrt image

The second floor of the conference centre was devoted to booths from international and North American galleries and museums.  Artwork from Dürer and Rembrandt to contemporary artists such as Swoon were on display, and for sale.  It was exciting, inspiring and provided abundant choices for the IF You could have any Artwork on Display? game.  A few happy hours were spent wandering up and down the aisles, viewing artwork and talking to the dealers.  Here’s a link to this year’s list of exhibitors.

International Fine Print Fair, 2019, NYC, T. Vatrt image

New York being New York, the art community embraces Print Week.  What I assumed would be the main event is, in reality, one of many print-rich opportunities available in both commercial and public art galleries and museums.  Because of New York based printmaker Elizabeth McAlpin‘s knowledgable recommendation, The Art Caravan also visited the E/AB Fair. This year the E/AB Fair is sponsored by the Lower East Side Printshop.

Editions / Art Book Fair, NYC, 2019, T. Vatrt image

The Editions / Art Book Fair featured hand made print editions from individual printmakers, as well as print shops. The Art Book portion is dedicated to artists creating handmade books. Many of the artists and printmakers were present, and happy to talk about printmaking.  The Art Caravan spent several hours, over two afternoons, talking shop with printers and studying the artworks.  Click here for this year’s viewing room…..and enjoy!

Leviathian V, Marion MacPhee, 2019

Levithian II (etching), Marion MacPhee, 2016

I was particularly smitten by these gorgeous etchings by Marion MacPhee from the Glasgow Print Studio It was a highlight to talk with her about the studio, and her fabulous etchings.

Viewing prints online is not the same as seeing them in person.  The textures, the marks, the depth achieved in printmaking doesn’t easily translate via photography.  (Another example of ambiguous loss.)  This year, the experience will be virtual.  Maybe next year we’ll be attending in person.  Perhaps.  In the meantime, enjoy the multiple offerings of everything print at this year’s Print Month.

 

 

The Hummingbird Paints Fragrant Songs

Isn’t this a beautiful title for an art exhibition?  The Hummingbird Paints Fragrant Songs was a highlight of my visit to The Outsider Art Fair in New York City in January.

The OAF consists of many exhibitors showing art from self-taught artists  (think Howard Greenberg Gallery selling original Vivian Maier photographs) as well as special programming, on and off the main exhibition site.

The Hummingbird Paints Fragrant Songs was one of the featured Curated Spaces. This compact exhibition was curated by Brett Littman  of the Noguchi Museum in partnership with the Shipibo Canibo Center. It consisted of works by Sara Flores and Celia Vasquez Yui, Peruvian artists.

The Hummingbird Paints Fragrant Songs

The Hummingbird Paints Fragrant Songs

The artists’ process of bringing these works to completion is astonishing. Sara uses natural dyes for the hand drawn works on canvas;  Celia begins her work with shamanistic-like rituals of fasting and abstinence.  All the works are rife with symbolism and patterning specific to their areas of the Amazon.  Please read this brief, but fascinating description of the artists and their work.

The Hummingbird Paints Fragrant Songs, sculpture by Celia Vasquez Yui

The Hummingbird Paints Fragrant Songs, sculpture by Celia Vasquez Yui

The works are exquisitely detailed;  to this viewer they exude a feeling of harmonious energy.

I’m glad I followed the recommendations of others to attend the Outsider Art Fair.  I can now  add the Shipibo Canibo Center to my list of  things to do and see in NYC.  The Noguchi Museum is already on the list.  Next time, I hope.

 

 

 

 

 

 

Oh, to be in New York this week…..

….for the International Fine Print Dealers’ Association (IFPDA) Print Fair.  Lectures, conversations, exhibitions, tours and more exhibitions, all about fine art printmaking.

From a conversation with Kiki Smith to the International Mini Print Exhibition at Manhattan Graphics to the New York Public Library’s exhibition Printing Women:  Three Centuries of Female Printmakers (1570-1900) there’s a whole lot of buzz about fine art printmaking in New York City right now.

There are, of course, numerous dealers and galleries selling work.  But even if you don’t have the cash to buy a Beatriz Milhazes woodblock and screen print from Durham Press…..

Dahlia Purpura

….or a Chagall lithograph from William Weston Gallery…..

Marc Chagall

….the IFPDA is a little bit on heaven on this November earth.

Matisse’s Masterpiece

Another highlight of Henri Matisse:  The Cut-Outs at MoMA was learning about Matisse’s work in the  Chapel of the Rosary in Vence, France.

Matisse was originally hired to design the stained glass windows, but eventually went on to design the chapel (working with the architect Auguste Perret) and its contents, including the Stations of the Cross, the alter linens, the priests’ vestments and the furniture.

Chapel of the Rosary

Chapel of the Rosary         Henri Matisse

Matisse said the chapel was “….the culmination of a life of work.”  He goes on to say, “Colours and lines are forces, and the secret of creation lies in the interaction of these forces and their balance.”

I think The Art Caravan will be planning a trip to Vence.  The show at MoMA brought me to tears.  I felt surrounded by joy, passion, and love for art and life.  To see Matisse’s work in a permanent installation, The Chapel of the Rosary, must be a very affirming experience.

If a trip to France isn’t in your immediate future, how about a trip to New York?  MoMA is offering Midnight with Matisse on December 31, to celebrate Matisse’s birthday, and the new year.  (Who needs the craziness of Times Square anyway?!)

Henri Matisse:  The Cut-Outs

Cathedral of St. John the Divine, New York

You’ve got to love a church that has a Poet in Residence, (currently Marilyn Nelson)  and lists Judy Collins as one of their artists/musicians in residence.  Never mind that it is a beautiful space, with a lovely communion service, and an socially active community……now there is also a stunning art installation by Xu Bing on display for all to enjoy.

At least this time I was (somewhat) prepared, having checked the Cathedral of St. John the Divine website for service times. (Yes!  The Art Caravan has been on the move.)

Unlike Anne Patterson’s installation for Grace Cathedral, (see previous posting), this artwork is not site specific, and wasn’t originally intended as a cathedral installation.  Xu Bing, a contemporary Chinese artist, had been commissioned to create artwork for the World Trade Centre under construction in Beijing in 2008.

He decided that the glass atrium between the building’s two towers would be the perfect setting for two phoenixes, the male Feng and the female Huang.  The phoenix is an important symbol of unity and peace in Chinese mythology.

Xu Bing chose to construct the birds from the detritus of the construction site.  How apt for a phoenix?

Construction was delayed, in large part due to the demands of the Beijing Olympic Games, and then the financial challenges of the times.  The builders became more cautious, and censorious.  They demanded that he cover the structures–all 12 tons–in crystals, as they appeared ‘unfinished.’  When Xu Bing refused, all money and support for the project was withdrawn.

Fortunately, the art collector Barry Lam, acquired the work.  It was shown briefly in China, and at MASS MoCA last year.   The work is beautiful, and graceful. The vast nave of the cathedral is a perfect setting for these ‘birds.’

Phoenix by Xu Bing

Phoenix by Xu Bing

 

Phoenix by Xu Bing

Phoenix by Xu Bing

Phoenix by Xu Bing

Phoenix by Xu Bing