Category Archives: The Frick Collection

Cocktails with a curator……

Sounds appealing, doesn’t it?  Looking at visual art, sipping something delicious …..not a bad way to pass the time as we all shelter in place.

There are thousands (millions?) of videos, presentations, discussions, interviews, podcasts chats, and forums digitally available to us during the pandemic.  One has to be selective, and release any FOMO feelings.  There’s an enormous amount of great material available.

I thought I’d spare you some time, and frustration, and point you directly to the best use of 18 minutes of your attention and screen time.  Cocktails with a Curator is produced by the Frick Collection in NYC.  Every Friday afternoon at 5 p.m. (EST) Xavier F. Salomon, the Frick’s chief curator,  welcomes us to his apartment.  He discusses the evening’s thematically chosen cocktail, and then launches into a brief discussion of an artwork  from the Frick Collection.  Accompanied by appropriate visuals, he outlines the provenance of the painting, offers some interpretation of the image, and ends with a thoughtful commentary on the relevance of the work to our present days.

Salomon’s presentation is professional, and knowledgable.  It  lacks pretence (despite all his credentials, including being named a Cavaliere dell’Ordine della Stella d’Italia) and is accessible to all.  I find his tone sympathetic, engaging and compassionate.

If you’re interested, do sample the first evening’s cocktail and discussion of Giovanni Bellini’s  St. Francis in the Desert.  Keep in mind that it was first available April 10, which was Good Friday.

I readily acknowledge my fondness for the Frick Collection.  Last year I wrote about The Frick Collection (available  here ) and I did ‘buy the postcard’ of St. Francis in the Desert on one of my visits.

St. Francis in the Desert, Bellini, The Frick Collection (NY Times image)

If you enjoy the talk, you can sign up to receive reminders to ‘tune in’ every Friday.  Fortunately, the presentations are available at any time online, and there’s only been two so far.  (Not too much FOMO….)

Of all the things you’ve watched or listened to this past month, which one would you most highly recommend?

 

 

 

 

Swoon worthy art

Do you have a favourite piece of artwork that you make a point of visiting, whenever you find yourself in a certain gallery, or in another city?  I have several;  they seem to act as touchstones for me.  Perhaps they give me a sense of familiarity in a foreign setting  as I explore new things.  This impulse certainly speaks to the power of good art to inspire me, and reassure me.

At one of my favourite small art museums in New York City,  The Frick Collection (I know, I know, it’s impossible to choose favourites in NYC!) is a Rembrandt van Rijn self portrait from 1658.

Rembrandt van Rijn, Self Portrait, 1658, The Frick Collection

This painting almost makes me swoon….and I don’t swoon easily.   In person, it appears luminous. Technically speaking, it is gorgeous: the rich colours, the play of light and dark, and the composition guide our attention to his hands, and his steady gaze.

Rembrandt was about 50 years old when he painted this self portrait.  Not only does the painting reflect his technical virtuosity , but it provokes a strong emotional response.  He portrays himself confidently.  He is dressed sumptuously.  With a staff and his hat, he seems ready to meet anyone and any challenge in the world.

He looks directly at the viewer.  He certainly engages this viewer, who feels an uncanny connection to this man.  His gaze seems open, and honest.  It appears that he acknowledges, and accepts, the complexity of life.  Does the set of his mouth suggest a bemused attitude, or a resigned one?  Whatever the interpretation, the portrait exudes humanity, warmth and  life.

The next time you’re in New York, you might want to drop into the Frick, and experience this portrait.  As far as I know, it’s on permanent display….and rightfully so.