May you experience some wonder and joy this holiday season…..
Henri Matisse (French, 1869–1954). Nuit de Noël. 1952. Maquette for stained-glass window. Gouache on paper, cut and pasted, mounted on board, 10’ 7″ x 53 1/2″ (322.8 x 135.9 cm). The Museum of Modern Art, New York. Gift of Time Inc. © 2014 Succession H. Matisse/Artists Rights Society (ARS), New York
Another highlight of Henri Matisse: The Cut-Outs at MoMA was learning about Matisse’s work in the Chapel of the Rosary in Vence, France.
Matisse was originally hired to design the stained glass windows, but eventually went on to design the chapel (working with the architect Auguste Perret) and its contents, including the Stations of the Cross, the alter linens, the priests’ vestments and the furniture.
Matisse said the chapel was “….the culmination of a life of work.” He goes on to say, “Colours and lines are forces, and the secret of creation lies in the interaction of these forces and their balance.”
I think The Art Caravan will be planning a trip to Vence. The show at MoMA brought me to tears. I felt surrounded by joy, passion, and love for art and life. To see Matisse’s work in a permanent installation, The Chapel of the Rosary, must be a very affirming experience.
If a trip to France isn’t in your immediate future, how about a trip to New York? MoMA is offering Midnight with Matisse on December 31, to celebrate Matisse’s birthday, and the new year. (Who needs the craziness of Times Square anyway?!)
The impetus for Henri Matisse: The Cut-Outs at MoMA was the restoration of The Swimming Pool, (1952) Matisse’s only site specific cut out installation. MoMA acquired the work in 1975, and it hasn’t been on display in more than twenty years.
The story behind The Swimming Pool goes something like this……One summer day in 1952, Matisse decided he wanted to go down to the local swimming pool to watch the divers. Not surprisingly, it being the south of France, he found it too warm, and returned to his home, intent on creating his own swimming pool. The dining room was chosen, and Matisse and his assistants went to work, making history.
The restoration of the work began in 2008. It was an extensive project to return the paper colour to its original balance, and remove and replace the deteriorated burlap on which the paper cuts had been mounted. At times, the burlap was removed strand by strand. The result of all the time, money and care expended is a stunning reclamation of a charming work of art.
Matisse: The Cut-Outs recreates The Swimming Pool in all its dining room-sized glory.
