Here’s the blog post I had started last week, when I was waylaid by Anila Agha’s astonishing installation and wrote about it instead …..
I recently watched the documentary, Never Sorry , about the Chinese artist and social activist, Ai Weiwei. If you haven’t seen it, I highly recommend it. It’s available at this link. You can watch a trailer here.
The film was directed, and produced by Alison Klayman, and received many awards, including an Academy Award nomination for Best Documentary.
Never Sorry reinforced my contention that Ai Weiwei is one of the most important contemporary artists in the world. The story behind the installation Remembering, is very emotional. (Yes, I cried. Again.)
Does the best art move us to tears….or do I just need more sleep?!
For me, the layers of meaning imbedded in these works of art by Weiwei, and Agha, are what make them so interesting. Not only are they visually pleasing, and sometimes downright beautiful, but these artists also convey important thoughts, ask great questions, and make connections to other ideas, times and places. There’s so much there.
Renoir is quoted as saying, “For me a painting should be joyous and pretty–yes, pretty! There are enough annoying things in life without our creating new ones.”
Now I’m not about to argue with Renoir, or his popularity. Apparently, he was on to something. I just think artists like Weiwei and Agha take the work even further by creating art that is both sensually and intellectually engaging.
That being said, I did cry at Monet’s garden in Giverny.
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