Monthly Archives: April 2020

Cocktails with a curator……

Sounds appealing, doesn’t it?  Looking at visual art, sipping something delicious …..not a bad way to pass the time as we all shelter in place.

There are thousands (millions?) of videos, presentations, discussions, interviews, podcasts chats, and forums digitally available to us during the pandemic.  One has to be selective, and release any FOMO feelings.  There’s an enormous amount of great material available.

I thought I’d spare you some time, and frustration, and point you directly to the best use of 18 minutes of your attention and screen time.  Cocktails with a Curator is produced by the Frick Collection in NYC.  Every Friday afternoon at 5 p.m. (EST) Xavier F. Salomon, the Frick’s chief curator,  welcomes us to his apartment.  He discusses the evening’s thematically chosen cocktail, and then launches into a brief discussion of an artwork  from the Frick Collection.  Accompanied by appropriate visuals, he outlines the provenance of the painting, offers some interpretation of the image, and ends with a thoughtful commentary on the relevance of the work to our present days.

Salomon’s presentation is professional, and knowledgable.  It  lacks pretence (despite all his credentials, including being named a Cavaliere dell’Ordine della Stella d’Italia) and is accessible to all.  I find his tone sympathetic, engaging and compassionate.

If you’re interested, do sample the first evening’s cocktail and discussion of Giovanni Bellini’s  St. Francis in the Desert.  Keep in mind that it was first available April 10, which was Good Friday.

I readily acknowledge my fondness for the Frick Collection.  Last year I wrote about The Frick Collection (available  here ) and I did ‘buy the postcard’ of St. Francis in the Desert on one of my visits.

St. Francis in the Desert, Bellini, The Frick Collection (NY Times image)

If you enjoy the talk, you can sign up to receive reminders to ‘tune in’ every Friday.  Fortunately, the presentations are available at any time online, and there’s only been two so far.  (Not too much FOMO….)

Of all the things you’ve watched or listened to this past month, which one would you most highly recommend?

 

 

 

 

In love with a poet….again

I have accidently fallen in love with another poet.  It happens. The timing is perfect:  It’s April, National Poetry Month.  (Do you ever wonder who makes these kinds of proclamations?  Could we declare a National Fruit Pie Month, or a National Dark Chocolate Month?)

Fortunately, in these days of physical distancing, it’s a literary love and not a romantic one.  Ada Limón’s collection of poems, The Carrying, was on my library Hold list.  I can’t remember where the recommendation originated, but with the libraries closed indefinitely, I’ve had the luxury of time to enjoy it.

The Carrying by Ada Limón, published by Milkweed Editions

It’s not surprising  that The Carrying won the National Book Critics Award and was named A Notable Book by the American Library Association in 2018.  I found myself wanting to share many of the poems with others.  Limón’s tone is narrative; some of poems are the result of a letter/poem correspondance with Natalie Diaz.  The first New Yorker on-line poetry column featured their poetry collaboration.

The collection is beautifully structured.  It begins quietly, with The Name, a brief poem about Eve encountering the animals in Paradise.  It ends with Sparrow, What did you Say? where we find the narrator in her own garden, listening to bird song.  Limón moves easily between societal and personal concerns, showing us how they are inextricably connected.  Her voice is honest – unflinchingly so – and compassionate.

Enjoy listening to Ada Limón as she reads a couple of the poems from The Carrying.  

Despite very limited shelf space, I want my own copy of The Carrying.  I look forward to exploring her four (4!) other poetry collections.