For our next ‘art treats’ ( see previous post) for the days of Christmas, we travel to Venice.  Ahhhh….Venice.

Two of my favourite pieces of art are found in the Basilica dei Frari which houses treasure upon treasure.  It is a huge space, filled with beautiful work:  sculpture, paintings, wood carvings, soaring ceilings, stained glass and tiled floors.

Basilica dei Frari, Venice

The four lower statues of the monument to Doge Giovanni Pesaro are extremely striking.  They are some of my favourite pieces of classical sculpture. For the purposes of this Days of Christmas project, kindly view them as one selection.

Monument to Doge Giovanni Pesaro 1669, Basilica dei Frari, Venice, photo by T. Vatrt

The work for the monument is attributed to the Dresden trained sculptor, Melchior Barthel.  I admire the use of the black and white marble together.  The contrast is very effective. Notice the drapery, as well.  Isn’t it gorgeous?

Monument to Doge Giovanni Pesaro 1669, Basilica dei Frari, Venice, photo by T. Vatrt

Perhaps most striking, though, is the subject matter.  The four sculptures are situated  as supporting columns for the effigy of the resurrected doge.  The men’s bodies convey strength and power, but their faces, clothing and positions express the horror and injustice of slavery.  No doubt that wasn’t the original intention, (click here  for a brief discussion of the work) but, in my mind, this is an exposure of inhumanity. There is a dignity conveyed through the beauty and size of their bodies, despite the subservient positions.  These figures are the most arresting component of the whole monument.

Monument to Doge Giovanni Pesaro 1669, Basilica dei Frari, Venice

Quite unplanned, I realize I am writing this on the Feast of the Holy Innocents.  Seems somewhat appropriate to the work.